Languedoc-Roussillon, The Genesis Of A Film

Ξ March 29th, 2012 | → 7 Comments | ∇ A Day at a Time, International Terroirs, Languedoc/Roussillon, Wine History, Winemakers |

Sometimes you choose; sometimes you are chosen. Last December, while in Montpellier, France to attend a showing of my Portuguese documentary, Mother Vine, at the Fest’afilm Festival, I had the extraordinary good fortune to meet one of France’s leading oenologists, Jean Natoli and geologist, Philippe Combes, his associate. Both gentlemen had graciously attended the showing and then were to further extend to me an invitation to dinner.
 
We spoke of many things that evening, of the financial obstacles to making a documentary, of film’s rôle in entertaining and illuminating the public, and of how to know whether a filmmaker has made a difference. Mention was made of a tasting at Au Petit Grain the next day of a what would prove a fascinating line of wines Mr. Natoli was shepherding, known collectively as Stratagème, and part of négociant/vingneron Thierry Rodriguez’ portfolio, Le Prieuré Saint Sever. (Indeed, along with Jean Natoli, Philippe Combes, and graphic designer, Olivier Proust, Thierry Rodriquez rounds out Stratagème’s creative team. Left to right in the photo) The distinguishing feature of the Strategème collection is its unique concentration on the concept of vineyard terroir and of mineral characteristics. One of eleven soil types informs each of its eleven bottlings: sandstone, sand, schist, pebbles, limestone, puddingstone, marl, clay, granite, basalt and tufa.
 
Among the most fascinating and frankly brilliant aspects of the Stratagème project is the depth of understanding and intellectual sophistication it brings to Languedoc-Roussillon as a wine-producing region, a region relatively neglected, certainly when compared to its far more celebrated neighbors, Bordeaux, Burgundy, and the Rhône. This neglect is a consequence of a complex history. Harshly (if justly) stigmatized years ago as a ‘wine lake’, Languedoc-Roussillon has long been in need of her own dedicated poets for the very reasons high-lighted by the Stratagème project. From renegotiated AOC boundaries – often proceeding at a glacial pace – to a new generation of winegrowers committed to terroir and quality; from increasing appreciation of the promise of geological diversity, to a sharp focus on organic and sustainable wine production, the region has in recent years been undergoing a dramatic, if quiet, transformation which I felt was concisely expressed by Stratagème’s line-up of wines. To put it another way, my re-education about Languedoc-Roussillon was only just beginning. I’ll explain.
 
In the early days of my wine education, the wines of Languedoc-Roussillon had played a significant rôle. Over a number of years I drank through virtually all of the region’s wines commonly available in the United States. Paul Strang’s Languedoc Roussillon, The Wines and Winemakers, first published in 2002, was my constant companion. I studied it from cover to cover. But restless and curious, eventually I was to leave the region behind in favor of a wider vinous experience. So it was that for quite some time that, like many of my American colleagues, I had felt sufficiently knowledgeable, that time and treasure enough had been given to Languedoc-Roussillon. All of that changed in the blink of an eye at the Au Petit Grain tasting. In the aftermath of my encounter with Jean Natoli and the Stratagème team, a small seed had been planted, an idea began to grow.
 
I have tended my garden well. Three months have passed during which I have done extensive research. I am now days away from yet another journey to Montpellier and the Languedoc-Roussillon, the 4th in as many months, this time to raise funds for another feature-length documentary film. Following upon my Portuguese documentary, a two year project which completely transformed my understanding of Portugal, turning night into day, eviscerating received opinion, I have now found a subject equally deserving of renewed international appreciation and recognition: the elaboration of high quality wines, the revelations given by terroir, and a progressive environmentalism which, taken together, are increasingly what we now must understand as the new reality of Languedoc-Roussillon.
 
My new project will document the 2012 seasonal experiences of 12 carefully chosen winemakers working divers soils and under both cooperative and challenging climatic conditions. The first shoot will be in May, the second, September/October, the harvest. The specific producers and vineyards I have chosen are in a variety of terroirs, areas and appellations including: St. Jean de Minervois, Corbières, Pézenas, Coteaux du Languedoc – St. Saturnin, Puissalicon, St. Chinian, Faugères, Pic St. Loup, and La Clape.
 
Of quite varied background and training, and nuanced viticultural philosophies – organic, biodynamic, sustainable – each of the winemakers I have selected share a common drive and determination to make the very best wines as they are able, with minimal intervention, and with the utmost respect for the land they have come to love. Yes, love. For make no mistake, love animates and informs the work. But just how that love is expressed can only be revealed over time, the very journey my documentary will take. Updates to come…
 
Ken Payton

 

7 Responses to ' Languedoc-Roussillon, The Genesis Of A Film '

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  1. on April 21st, 2012 at 2:22 am

    I appreciate your focus on this region. Underappreciated…though not in our home! Love the earthy reds from the area.

  2. Admin, Ken Payton said,

    on April 21st, 2012 at 1:56 pm

    Thank you for the note, David. Much more to come. Cheers.

  3. PETER GORLEY said,

    on May 13th, 2012 at 4:26 am

    Ken – Delighted to hear via Louise Hurren that you’re underway with this exciting and invaluable project. There is so much innovative work going on in the L-R vineyards: reviving old varietals, heretical – to some – experimentation, great vins de table… As you know, the vignerons and vigneronnes have great tales to tell. Look forward to viewing the movie! Very best wishes in your travels. Peter G

  4. Admin, Ken Payton said,

    on May 13th, 2012 at 2:11 pm

    Thank you for the comment, Peter. Much work lies ahead.


  5. on October 13th, 2012 at 7:18 am

    Hi Ken-
    Did you see the article on you and this film in the Midi Libre last Sunday?
    Mary Jo & Steve (the Americans you met you at Domaine Balliccioni while filming Thierry and Jean)

  6. Admin, Ken Payton said,

    on October 17th, 2012 at 3:29 pm

    Yes, I did. Hoped you liked it. Thank you for visiting.

  7. Mark Vaughan said,

    on January 18th, 2013 at 4:37 am

    Dear Ken, Sadly we cannot get to the private screening of your film in Montpelier on Jan 27 from our home in Roquebrun. When will your fascinating film be available on DVD please?
    Best regards,
    Mark Vaughan
    PS For interest, the rug designs in my new business are by the Pip Benveniste, British Modernist artist 1921-2010 (my late mother).

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